“McMillen draws softly glowing pianissimos from his instrument… He has an acute feeling for those remarkable passages in which Morton Feldman strips everything down to a unison line or even to bell-like soundings of single notes. And McMillen applies just the right amount of pedal, so that the music is enveloped in a slight mist while remaining crystalline. I hope he has a chance to record the piece: his view is one that I’d like to have in my library…”
–Alex Ross, New Yorker music critic (taken from therestisnoise.com)
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